Thomas Chippendale (1755 – 1790), for whom this style is named, was an 18th century English cabinetmaker, furniture designer and publisher active in London.  He is considered one of the most important figures in the history of furniture design.  In 1754, he published “The Gentleman and Cabinet-Maker’s Director”.  This was a large, oversized beautifully detailed catalog/book consisting of engraved plates of his designs, ranging from fire screens to large case pieces.  It was an extraordinary success and was used by many cabinet and furniture makers as a reference tool to create their own designs.

Chippendale furniture is of solid construction combined with light and grace.  The style is a fusion of design elements including traditional English and French, while borrowing from the Gothic and Chinese.  Mahogany and walnut were preferred wood choices, and furniture often exhibited intricate carving and inlaid marquetry.  At the time of Chippendale’s life, his furniture was very popular with the wealthy and sought after by the elite of his time.  His influence on classic fine furniture design is singular and Chippendale pieces are still highly prized and sought after by enthusiasts and collectors today.

 

Writing tables or writing desks were used in the library or personal study of the privileged homeowner.  The writing surface was covered with leather, and these desks were designed with compartments for organizing and storing writing accessories, stationery and documents.  Some even had secret spaces, accessible via a hidden trigger mechanism.  Writing tables could also have side pieces that extended outwards to allow for increased workspace.